Black Curatorial Institute (BCI)

BCI is a professional development opportunity for arts workers unlike any currently available.┬а

Explore the online learning center advancing arts & cultural work.┬а

Black Curatorial Institute

The Black Curatorial Institute (BCI) is a groundbreaking new learning center, established by the Black Artists Archive (BAA), designed to advance curatorial & archival expertise. It provides a vital professional development opportunity for arts & cultural professionals, addressing a critical need within the arts and cultural sector.

The BCI program is accessible and flexible, offering self-paced learning entirely online through Teachable. This platform ensures flexible, affordable, and job-relevant learning for individuals and organizations worldwide.

Core Areas of Focus:

Art Museum History & Evolution – Students learn how western art museums developed as cultural repositories of colonialism and how the art market developed as an economic extension of empire and western imperialism.

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Counter-Hegemonic Approaches to Museum Practice – Learning how to identify traditional museum practices that are rooted in racist principles for points of potential rupture and transgression of institutional тАЬnorms.тАЭ

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Ethics and Equity in the Arts – Approaching collection and exhibition development, and overall museum programming with a critical lens that fully and tangibly engages target audiences.

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Direct Connection to Professional Practice – Discover your why. Experience practical and real-world application of critical theory through analyses that allow students to learn from experienced anti-racist cultural practitioners.

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Community Impact – Engaging communities through curatorial & archival approaches that position collective care within frameworks of social and racial equity.

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Check Out Our Courses Below
A Seat At The Table: Systemic Racism In Art Museums
In this talk revolving around the hidden biases ingrained in the American art world, Dr. Kelli Morgan dissects the irony of an industry that celebrates Black art while ignoring or marginalizing Black artists and curators. Featured in the New York Times & Indianapolis Monthly, Dr, Morgan is well-known for her frameworks to address racial bias in the art world, and compelling calls for change.
African American Museums: Pillars Of Cultural Arts Education
African American museums have long been crucial institutions for culturally specific arts education. These centers preserve and celebrate Black history, art, and culture. In this course, Dr. Kelli Morgan examines the histories of first-voice institutions and how they provide unique educational experiences often overlooked in mainstream conversations about diversity and inclusion in the arts.
Anti-racist Approaches To Art Museums Today
As expectations regarding the social responsibilities of art museums change, training students how to be anti-discriminatory in their professional practice becomes ever more crucial. This course is an introductory seminar to anti-racist curatorial practice. As such, students will explore various aspects of museum history, art history, collection management, object interpretation, fundraising, exhibition design, cataloging, community engagement an...
Drop Me Off In Harlem
In the decade following World War I, African American cultural production flourished during what has become known as the Harlem Renaissance. Though the movement had a tremendous impact on African American culture, it was a moment of global significance for American visual art. This course will examine the Harlem Renaissance, and its connections to Europe, Africa, the Caribbean, and other parts of the U.S. like Chicago and the Deep South. In part...

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Eldzier Cortor: A Dialogue Between Friends

The Black Chicago Renaissance (1930sтАУ1950s) was a chorus of voicesтАФpainters, printmakers, writers, poets, and playwrightsтАФeach weaving stories of Black life with brushstrokes and verse. Eldzier Cortor stood among them, his art in conversation with the imagery of Margaret Burroughs, Elizabeth Catlett, and Charles White, as well as the prose of Margaret Walker and Gwendolyn Brooks.

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